Shiva-Kali Vs Lucifer-Lilith
- Almog Yarden
- Apr 22, 2022
- 7 min read
Updated: Jan 29
Shiva

Shiva's quest for self-liberation is where the tale of 'Adi Nath', the first Lord, begins. Mythologically considered as the first man to undergo a spiritual awakening, which was to realize there is 'himself' as a self-existing individual standing apart from the commonality of the tribe's group mind. At that time, it was unheard of for anyone to break out of the tribe, as searching for a secluded life meant uncertainty, dangers, and very possible death.
The psychological meaning of leaving the tribal commonality was a novelty, an unheard-of taboo, and an act of defiance.
Taking to the woods, he wondered, as a nomadic hunter-gatherer, shifting his focus from the tribal 'we' to the inner world and self-identification with the 'I'.
During this time, he developed a unique practice of self-reflection, called Joga, that sharpened his senses and enhanced his inner and outer focus.
By sitting still, concentrating on the inner void and focusing his mind inward, he was able to overcome the Maya, the illusory mental matrix created by the senses and indoctrinated norms and dogmas.
Through his Jogic practice and taboo-breaking, he attained a godlike state of self-existence and a deep understanding of reality's true nature.
Relaying on no one and living in solitude, covered only in ash from the firepits, with long-mattered hair and the beast of the fields as his companions.
He became the first embodiment of the warrior ascetic, an 'Adi Nath'.
After his time in the woods, he returned to live on the fringes of society, making the 'Samashan', the Hindu cremation ground, his home, living among ghouls and hungry ghosts, experimenting with and developing all kinds of supernatural powers, accompanied by dogs.
It was then that he attracted Sati, his first wife, who fell in love with this wild and untamed man. Together, they lived as a couple in defiance of the social norms and Sati's father, who was himself a powerful and respected deity.
One day, there was a great feast in Sati's father's palace to which all the gods were invited, but because of his rough manners, unruly nature, and matted hair. Shiva was not allowed to attend. In her rage over her father's reluctance to accept her husband. Sati throws herself into the main fire before her father and all the other deities and honored guests. Furious with her father and stoked by grief, Shiva summoned a horde of terrifying demons, killed her father, and began to wander around India carrying Satie's corpse on his back. Doing his Tandava, the dance of destruction, bringing mayhem everywhere he went.
Worried that the world would break, all the gods turned to Visnu, the god of order, and implored him to do something. He then threw his disk on Satie's corpse, tearing her apart into 12 pieces, which scattered all over India. Those places are considered especially holy, attracting pilgrims from all over India.
To appease him, Vishnu reassured Shiva that his beloved Sati would ultimately reincarnate and reunite with him. Her future name was Parvati, Shiva's second wife, who, unlike Sati who, fell in love with him and followed him of her own accord. Parvati, a high-born goddess of home care and beauty, initially didn't want to be with Shiva because of his wild nature, and needed to be talked into it.
In another tale, Shiva severed Brahma's fifth head. Brahma in the Hindu mythology is the creator god and the source of the formative world. He had five heads, four turned towards each of the cardinal directions and a fifth looking upwards toward the sky. Shiva was angry at Brahma's arrogance for sitting on his ass since the beginning of creation beliving himself to be above all, marveling at his creation while the other gods toiled. According to this myth, Shiva was cursed to roam the cremation grounds with his white bull Nandi and four dogs as the Lord of Murder, holding in his hands the severed head of Brahma. During his time in the cremation grounds, Shiva, through his practice, attained immortality and the ultimate spiritual powers 'Siddhis' over the material world by engaging in combat with a powerful demon representing the lower forces of the world. The image of Shiva fearlessly dancing on top of the demon, successfully dominating the material world, is named 'Nata Raja', which translates to "the Lord of dance."
It was then that Shiva set out to find a quiet location away from his many followers to engage in Samhadi, a state of deep inner reflection.
On the highest mountain in India, Mani Mahesh Giri, he meditated in a deep cave for seven years beneath a freezing waterfall, where he eventually attained cosmic transcendence and immutable inner peace.
Comparison with Lucifer.
Shiva is a well-known and complex figure in Hindu mythology, renowned for his fierce practices, his complex relationship with Parvati, his fathering of two sons, who are important deities in their own right, and many adventures and tales.
An integral part of his myth involves cremation ground tantric 'sorcery' practice with Kali, the goddess of death and a manifestation of the Void.
As a footnote, in Hinduism, Vishnu and Shiva are contrasted, with Shiva as the warrior-ascetic engaged with the material world and mortals, while Vishnu is a distant and radiant lover.
Shivaites practices the LHP while Visnuvites the RHP.
Shivaism emphasizes transcending the physical world through defiance and achieving the ultimate singularity with consciousness of the void, in contrast to Vaishnavism, which emphasizes embracing and uniting with Vishnu as the Brahman, a divine continuum or pure light, and achieving ascension.
Lucifer, Mythologically, is the angel of pride, the radiant light bringer, the morning star who defied God by seeking autonomy and was consequently banished from the Jehovic continuum.
He was assigned by the church the role of Satan, the adversary who tempts mankind to turn away from God and the dogmas and doctrine of the church.
In modern occultism, he is viewed as the liberator, a revealer who shows mankind the way out of the constraints of oppression and into the revelation of the 'I am' conciseness through knowledge and self-awareness.
In the Draconian tradition, he is a great demonic being residing in the Void outside of the Jehovic continuum, the bearer of the black flame that kindles the partitioner's own black flame, a manifestation of the inner will.
He is the initiator into the Draconian current, the Qliphotic realm, and the personified masculine principle overseeing the path through the nightside.
His consort is Lilith, the demonic goddess of the underworld.
He teaches about the risks of pride in attaining spiritual knowledge and powers too fast, and in some traditions, resides in the upper Qliphah on the tree of the nightside, Tehomiel, together with Moloch and Satan (Satan being another being).
To summarize, Shiva and Lucifer are very different characters. Shiva is a Hindu deity who attained enlightenment, immortality, and control over the physical universe through his practices and endeavors, and even though he started as a tribal man, he is not interested in guiding or teaching; rather, serves as a model for others to imitate as they pursue the attainment of godhood through the cultivation of spiritual powers.
Even the revelation of his secret practices was the result of an accidental eavesdrop by a simple man who was swallowed by a fish and taken to the deep while he was instructing Parvati in a deep-ocean cave.
In Western mythology, Lucifer began as an angel, an adversary of the Jehovic continuum, a tempter away from the righteous path, which, to the LHP practitioner, is liberation from dogma and oppression.
He is a guide and teacher, a benevolent demonic being whose power kindles the black flame that forges the practitioner's will and strengthens them.
In Shivaism, the practitioner strives to become Shiva, to embody the ultimate and all-pervading consciousness, which is Shiva, breaking the 'Maya', the illusion of the world, which is the dogmatic world perception that shackles the mind.
In both traditions, taboo-breaking and self-deification are practiced as an act of self-liberation; the mind is being reconditioned away from dogmas and the lies of this world. The cultivation of will is impartial and all the forces of the shadow, such as pride, fear, and lust, are to be mastered.
Becoming like Lucifer through self-identification is not part of the LHP, but to embody the black flame is.
Kali, the goddess of death and destruction, who is frequently paired with Shiva, is greatly revered, adored, and feared in Hinduism. She is viewed as a destructive and ferocious force, a brutal killer, and not a nurturing mother.
In her aspect as Mahakali, she is the personification of the destructive forces of the Void and an adversary to all man(male)-made dogmas.
Working with Kali through tantric practices to awaken and acquire powers is not a different goal from cultivating the black flame, because both lead to the development of the faculties necessary to break through the matrix and achieve self-deification.
To master her aspect of primordial cosmic energy as a source of power, 'Shakti' is not possible without the stabilizing aspect, which is Shiva's work.
She is not a benevolent being, teacher, or a guide, and is radically different in character and practice than Lilith; she is also not the black flame of Lucifer or any of the powers of the Draconian current.
Kali, then, is different from the Abrahamic figure Lilith, who rebels against God and refuses to submit to Adam.
She seeks adoration and is a guide, but also a mother of demons and a vampiric being. She craves energy but does not give it, yet also has a compassionate, nurturing, and maternal side.
She is the mother of demons, queen of the underworld, ruler of the second Qliphah 'Gamaliel', and in some traditions, Lucifer's concubine.
It's important to remember that the mythologies and rituals of various cultures and religions are complex, which renders any attempt at fusion or simplistic comparison reductionist, confusing, and impractical.
Additionally, respecting and comprehending each mythology and culture respectfully is critical because they are deeply anchored and rooted in the human subconscious and psyche.
Magical and mystical practices of the nightside are psychologically volatile and risky; attempting to use the wrong anchors, flattening mythological figures into sterile, idealized archetypes, and using them as anchors for a psyche wired to a specific culture is ineffective.
For example, Kali can evoke nightmares as she is a terrefier, but is not a ruler of the realm of nightmares, or a guide to the Qliphah of Gamaliel, and as such is the wrong Anchor to work with for a western LHP practitioner.



Comments